In 1992, “Wish” arrived, The Cure’s ninth album, and one of their most successful. Recorded at one of the studios owned by the billionaire Richard Branson, owner of Virgin, “The Mannor Studio” in Oxfordshire, United Kingdom. Most of the songs deal with how Robert Smith (singer/guitarist/producer) has had to deal with fame, something one might think is wonderful but ultimately leads to significant depressions and frustrations.
In total, 45 songs were composed, but the best 12 were selected to create “Wish,” a work with divided opinions but is, to date, the band’s most popular work.
What can we listen to?
A decidedly ’90s, British, and melancholic sound, heavily influenced by the Shoegaze movement, which would later fade away due to the popularity of new sounds like Grunge. The Cure managed to create an album that is incredibly balanced, filled with layers of sound that, when combined, result in a sonic atmosphere full of emotion.
“Wish” is dark and heavy at times, as heard in its opener “Open,” but it can also be very pop, as in its worldwide hit “Friday I’m In Love” or in “A Letter To Elsie.” It’s an interesting mix that is homogenized through the use of ambient effects on the guitar, such as delay or reverb. Robert Smith’s vocal style also adds consistency to the album, whether in fast and aggressive tracks like “Cut” or in the ballad “Trust.”
The dynamic range in the work is intriguing, and part of its magic lies in the fact that it’s a lengthy piece, combining energies that captivate the listener. Imagine a weather cycle with rain, thunder, followed by a sunny rainbow, that’s precisely what “Wish” feels like.
Balanced darkness
The mystical and dark style of The Cure is preserved song after song, but now it is presented with a more ambient sense, making each song sound sonically more expansive. This is backed by the assertiveness of a bass with a constant and slightly distorted attack, providing special support to the guitars, giving them presence.
Robert Smith’s vocal performance is also crucial to mention. Despite not being a great singer in technical terms, he is a magnificent performer; in each song, he manages to convey his frustration, sadness, satire, and energy. His voice can be gentle or rise to such a degree that it almost resembles a scream, without reaching the guttural.
The album is very enjoyable thanks to its composition, but its engineering makes the experience even more delightful. The recording, mixing, and mastering are at an exceptional level, achieving a balance between analog and digital through top-notch processors that bring out the best in each instrument.
A powerful minimalism
The album doesn’t go for complications or intricate executions; on the contrary, it is minimalist and repetitive. Its power lies in dynamics and performance, attempting to embrace you in each song through melancholy, supportive synthesizers, and spacey guitars.
If you’re in a melancholic mood, this album will fill you with energy and receptiveness. Focus on the details and layers of sound for enhanced enjoyment.
What are your thoughts on this album? Leave us your comments!
